The choreographic writing is further enriched by an investigation into the diffusion of sound; drawing inspiration from La Chambre Claire (Camera Lucida) by Roland Barthes, Yuval Pick immerses the senses in an attempt to forge a passage (seeking the right moment) from the studium, which belongs to cultural and social constructs, to the punctum, this subtle, indicative out-of-range area, this indescribable element, this chance thing that pierces through and awakens something sensitive inside. In this way he examines dance as rhythm in its relationship with “kairologic time”. In a certain sense, then, Kairos expresses a mastery of the indomitable, the capture of something fleeting and elusive, the wait for the auspicious moment when everything is decided and takes a favorable turn towards our desires and actions. 

This real-time production, which presents a solo in different exhibition spaces, also references Stanley William Hayter and the American school of abstract expressionism from 1950 to 1960, the experimental work of Ḥasan Šarī, Edi Dubiens and the construction of identity, etc.