Creation for 7 performers
Classe sick is a piece for seven performers: two female dancers and five male dancers, representing a group of secondary school students on a school trip to a castle. Model student, prodigy, distracted, discreet and dreamy, teacher on edge; all the characters have their own particularities, their own personalities and their own unique dance styles. The diversity of styles presented reflects the diversity of the dancers on stage. Classical dance, breakdancing, locking and even freestyle football are all mixed together.
Through a highly expressive form of choreography, the play humorously caricatures the French monarchy and pokes fun at the students’ visit to the castle. The audience is invited to immerse themselves in the protagonists’ vision of French culture and history. The play raises the question of identification with this history, which clearly seems distant to them.
On the stage, a huge chandelier inspired by the Hall of Mirrors at Versailles serves as a prop for the dancers, who use all kinds of techniques to make this set design spectacular.
Inspired by an anecdote from my youth during a school trip, this show reflects the mindset of young people who struggle to relate to French history because of their origins, skin colour or culture. My aim is to caricature the period of the French monarchy by staging atypical contemporary characters encountering their history in a castle.
Rameau's classic Les Indes Galantes is revisited with contemporary sounds. For the choreography, I chose a demonstrative hip-hop dance style based on high technicality and acrobatic performances that border on contemporary circus, all mixed with humour and comedy.
In order to immerse the audience in this baroque world, it seemed natural to me to draw on the scenographic characteristics of this period: a gigantic chandelier, gilding and large red curtains.
I see this creation by the Free Styles company as a grand choreographed show that is light-hearted, entertaining and accessible to the general public. My aim is to make this piece unifying and to try to reconcile young people with a culture that seems so distant to them.
— Moncef Zebiri
Choreography: Moncef Zebiri
Dancers: Florie Mongrédien, Joël Sossavi, Maïlys Dumas, Rémi Michault, Maxime Vicente, Wassim Beriss (alternating with Nouari Hamadou) Wiwi Freestyle
Set design: Moncef Zebiri & Mustapha Delli
Set construction: Compagnie Les Mères Tape-dur
Sound design: Arthur Caget & Constant Bankoué
Lighting design and operation: Mustapha Delli & Valentin Nantas
Stage management: Bernard Clerc & Leslie Morales
Production: Léa De Saint Jean
Co-productions: Initiatives d’Artistes en Danses Urbaines, Fondation de France, La Villette, Paris 2020, City of Rillieux-la-Pape, Théâtre de Cusset, Centre Chorégraphique National de Rillieux-la-Pape, directed by Yuval Pick
Support: Pôle en Scènes (Bron), Théâtre de Tarare, Maison du Peuple (Pierre-Bénite)
Sponsors: Cash Converters, Duvarry Developpement
Photos: © Tony Noël, Yann Crayssac, Julie Cherki, Caroline Detrez
Length: 50 minutes
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