Christos Papadopoulos’ works are fed by an intensely observant approach to movement and often unfold a lively and meditative power. His attention is focused on the minimal shifts of perception, the perpetual, often unnoticed and yet powerful movements that are ever-present in nature, in everyday life, within physical phenomena and political contexts. His debut Elvedon (2016) was inspired by Virginia Woolf’s novel The Waves and captures the continuous undulation of the sea. This was followed by Opus and his third choreography ION, an artistic exploration of the phenomenon of ionization and its underlying forces of attraction and repulsion. In his latest work, Larsen C, he turns his attention to the micro-phenomena of movement, this time inspired by the popularised iceberg of the same name, which lost a large part of its surface in 2017.

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