Joga Bonito
3 de July de 2025 The Company on tour
Creation for 5 performers
With the ball at his feet, the athlete becomes an artist as soon as he dribbles or juggles. Never before has the line between dance and athletic performance been so thin.
For this piece for five performers (four hip-hop dancers and one freestyle footballer), which combines hip-hop dance and freestyle football, Moncef Zebiri wants to immerse the audience in the atmosphere found in training sessions and football stadiums.
For dance, Moncef Zebiri draws on various styles of hip-hop dance that blend perfectly with the passinho technique: top rock, house, breaking. The dancers are encouraged to use the ball, while the freestyler are encouraged to master hip-hop technique, so that the audience will no longer be able to tell the dancers apart from the freestyler. Performance and technique will be emphasized in the dance, to replicate the feeling of a football match. Vibrant, musical ensembles, moments of poetry, and technical feats of breakdancing and freestyle: this piece, both physical and warm, displays a variety of rhythms on stage to appeal to as wide an audience as possible.
Statement of intent
“Joga bonito” in Portuguese means “play beautifully”. And it is precisely these technical and sporting feats, experienced as enchanting moments, that carry the hopes of peoples and nations.I conceived [this] creation as a grand popular celebration combining art and sport. Returning to the spectacular origins of theatrical games, I imagined a show combining dance and football.I was inspired by Brazilian urban dances, particularly passinho, which means “small steps”. It is a cultural movement that originated in the favelas of Rio in the 2000s. This phenomenon has recently gained momentum, thanks in particular to videos posted on social media. Technically, the passinho dance consists of rapid movements of the hips and legs. Over time, it has been inspired by the movements of frevo, as well as funk, samba and breakdancing. Since June 2018, passinho has been recognized as part of Rio de Janeiro’s cultural heritage…
Including this dance technique in my show allows me to transform sport into beauty and virtuosity. The movements of the body and feet, while reminiscent of football, no longer require a ball; they exist for their own sake in the beauty of their exaltation. It is a kind of moment of grace in which the athlete, like the dancer, subject to the judgement of the audience, practises prowess and shapes their own glory.
So, I am bringing five dancers onto the stage, including one freestyler, who will perform in this style mixed with the aesthetic that has always inspired me: breaking, with all its variations (footwork, toprocks and powermoves).
My ambition is to completely rethink the stage space: to break down the fourth wall, invite the audience to become actors in the play, and encourage interactivity between the stage and the spectators.
By breaking down social barriers, football, like dance, conveys ideals of brotherhood, bringing together a collective audience and emotions that are unanimously experienced at the same time. In a cathartic, but also civic and humanistic dimension, stadiums, like theatres, have always reshaped the contours of the world. A different world, imbued with a spirit of sharing and celebration, far removed from academic elitism and cultural codes.
— Moncef Zebiri






Casting
Choreography: Moncef Zebiri
Dancers: Yoann Thomas (Juvenil), Noussair Ben Abdoul (Boosti), Rémi Michault, Estanis Radureau
Freestyler: Lubin Loquais
Musical arrangements and composition: Senka & DJ Greezly
Lighting design: Jean-Yves Desaint-Fuscien (JUANITO)
Production: Léa De Saint Jean
Co-productions: Municipality of Albigny-sur-Saône, L’Esplanade du Lac (Divonnes-Les-Bains), Auditorium de Seynod (Annecy)
Support: DRAC Auvergne-Rhône-Alpes, Auvergne-Rhône-Alpes Region
Residencies: Playground (Rillieux-La-Pape), L’Échappée (Rillieux-la-Pape), Théâtre de Cusset (Cusset)
Photos: © Thierry Clergue

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